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Showing posts with label Tintin in Trouble. Show all posts
Showing posts with label Tintin in Trouble. Show all posts

Sunday, June 10, 2012

Man-baby's quest to ban Tintin comic book fails

Score one for the good guys.

The dumb lawsuit filed by a hypersensitive, dimwitted cry-baby over "Tintin in the Congo" has reached the end of the road. At least for now. With a sane conclusion. This happened a few months ago, but I just found out, and since I posted on the earlier stages of this story, I figured I'd bring you all the conclusion.

On February 10, 2012, the Brussels Court of First Instance rejected the suit that demanded that "Tintin in the Congo" should be banned and its publisher sactioned in its entirety, and politely told the complainant, Bienuvenu Mbutu Mondondo, to grow up and fuck off. Unfortunately, the court dismissed a counterclaim by the publishers of Tintin that the Man-baby should pay them for wasted time and cout-costs.

The mind and maturity level of  Bienuvenu Mbutu Mondondo.
(Artist Representation.)
An op-ed piece was published in "the Guardian" last month that I hope someone forwards to any and all would-be censors and overwrought hysterical P.C. fanatics before they start trying to use the courts to force their diseased viewpoints on those around them. Click on the link to read it:

Effort to ban Tintin comic book fails in Belgium by Jogchum Vrielink

By the way, i'm aware that the Man-baby has appealed the ruling... and, as far as I know, his even more laughable criminal charge against the publishers and distributors of "Tintin in the Congo" is still pending in court.

Wednesday, May 5, 2010

The Man-baby is back....

For the past few years, an emotionally stunted man-child by the name of Mbutu Mondondo Bienvenu has been in the news on and off, with his moronic lawsuit over racism in "Tintin in the Congo."

He's in the news again. With an expanded lawsuit.

With his criminal trail against the foundation that manages the creations of Belgian writer/artist Herge--they're a bunch of evil racists according to the deranged Bienvenu--going nowhere, he rounded up some race hustlers and ambulance chasers to bring a civil suit against the foundation AND European combic book mega-publisher Casterman, seeking to get the book yanked from stores.

Casterman has, in a polite fashion, told Man-baby and his attorneys were to stick their copies of "Tintin in the Congo," and so far seem like they're going to fight this bit of idiocy. Here's hoping they win (even if "Tintin in the Congo" is a one of the worst books in the series, with only "Tinin in the Land of Soviets" being worse.)

Click here to read more about this case. And look below for a picture of the Man-baby himself, posing with the eeeevilest of tomes!



(I wonder of Casterman and the Moulinsart foundation could sue Manbaby for misappropriating their trademarked and copyrighted materials? THAT would be hilarious!)

Tuesday, September 1, 2009

The Man-Baby is Back!

Seems like lawyers are still ripping off a Man-Baby whose sensitive soul has been wounded by the existence of "Tintin in The Congo." Here's the latest on a world-class dimwit from the Telegraph.


Tintin 'to be sued' for Congo book

By Henry Samuel in Paris
Published: 10:01PM BST 01 Sep 2009

A Congolese accountant is to launch a lawsuit in France against Tintin for racism, accusing judges in the cartoon hero's native Belgium of trying to bury his case to protect a "national symbol".

Bienvenu Mbutu Mondondo, 41, is taking legal action claiming Hergé's controversial Tintin In The Congo is propaganda for colonialism and amounts to "racism and xenophobia".

"Tintin's little (black) helper is seen as stupid and without qualities. It makes people think that blacks have not evolved," he said.

Mr. Mbutu Mondondo launched a case in Belgium two years ago for symbolic damages of one euro from Tintin's Belgian publishers Moulinsart, and demanded the book be withdrawn from the market.

But since then his lawyer, Claude Ndjakanyi, said there had been no response from Belgian justice. "Our request to access the dossier was judged premature even though the investigation has been running for two years," he said.

Mr Ndjakanyi claimed the silence was politically motivated: "It's the symbol of Belgium that is under attack." The lawyer said he would launch parallel proceedings in France and go "all the way to the European Court of Human Rights if necessary".

In 2007, British race watchdogs pulled the book from children's shelves and attacked the Tintin cartoons for making black Africans "look like monkeys and talk like imbeciles".

Two weeks ago the work was removed from the shelves of Brooklyn's municipal library following a complaint from a reader that it "had illustrations that were racially offensive and inappropriate for children".

Tintin and his dog Snowy are a rare unifying symbol in Belgium – a divided nation where postcolonial guilt over Belgian's record in the Congo still runs high.

The Congo remained a Belgian colony until 1960 and between 1885 and 1908 millions of Congolese are thought to have died under the brutal rule of Belgium's King Leopold II.

Georges Remi, the Tintin cartoonist who worked under the Hergé pen-name, reworked the book in 1946 to remove references to Congo as Belgian colony.

But it still contained images such as a black woman bowing to Tintin and saying: "White man very great White mister is big juju man!" Moulinsart, Tintin's publishers, argued that the whole row was "silly" and that book must be seen in its historical context: "To read in the 21st century a Tintin album dating back to 1931 requires a minimum of intellectual honesty," it said. "If one applied the 'politically correct' filter to great artists or writers, we could no longer publish certain novels of Balzac, Jules Verne, or even some Shakespeare plays."

Mr Ndjakanyi said this argument did not wash. "When the album was written there was no legal disposition incriminating racism. In 2009 there is. This isn't about history but the law."


And it's probably also about the big fat bank account that Ndjakanyi is building up by exploiting the Man-Baby's mental defects.

Tuesday, August 7, 2007

The Man-Baby Speaks!

A sensitive soul in Belgium is seeking to get the 1932 graphic novel "Tintin in the Congo" banned. I spoke my main piece on this in Man-baby files suit over 'Tintin in the Congo'. Reuters carried a version of the article I quoted in that post that featured a quote from the Man-Baby himself, along with a sensible reaction from the company that holds the rights to the Tintin property:



"I want to put an end to sales of this cartoon book in shops, both for children and for adults. It's racist and it is filled with colonial-era propaganda," said Mbutu Mondondo Bienvenu, who lives in Brussels.

Bienvenu is also seeking symbolic damages of one euro ($1.38) from Moulinsart, the publisher that owns the rights to Tintin.

Belgian prosecutors said a motion had been filed at the beginning of August. A judge will examine the case, probably not before September, but a decision on whether to proceed could take six months, they said.

Belgium controlled the country that is now called the Democratic Republic of Congo until 1960.

Moulinsart said it was only aware of the action through the media. A spokesman argued the company was not in a position to remove the book from shelves as it controlled Tintin rights, but did not publish the novels.

"The book dates back to 1931 and has to be seen in the context of the time. We are surprised to see this complaint after so many years," the spokesman said.



I still think Lil' Mondondo is a crybaby, but I don't have the same level of contempt for him that I do for certain others who file suits like this. At least he's not trying to claim he's owed any financial compensation for mental anguish or any-such nonsense.

(Not that it matters for someone with my level of journalistic integrity, but I'm now wondering who got his name right, though. The order is different in the two sources. "Man-Baby" suffices, however.)

Monday, August 6, 2007

Man-Baby files suit over 'Tintin in the Congo'

I love the Tintin graphic novels. Even now, I reread them every so often. My favorite ones are "The Broken Ear", "The Calculus Affair", "The Land of Black Gold" and "King Ottokar's Scepter".

In the past, I've said I think "Tintin in the Congo" is the worst of the lot and that even as a kid, I thought it was badly done. As an adult, I'll agree it's racist in its portrayal of blacks. Hell, even creator Herge was embarrassed by it in later years, sort of the same way Will Eisner was embarrased by his early portrayal of Ebony in "The Spirit" comics.

With the various reissues that are coming up toward the end of the year in celebration of the 100th anniversary of Herge's birth, I was going to pick up "Tintin in the Land of Soviets" (the one Tintin book I've never read), but I was going to ignore "Tintin in the Congo" (the only other Tintin book I've never owned).

But now, a thin-skinned man-baby is filing lawsuits to ease his sense of personal inadequacy. I hope hysterical, censorship-advocating retards like Bienvenu Mbutu Mondondo manage to make "Tintin in the Congo" appear on best-seller lists around the world.

I wasn't going buy a copy--like I said, this is NOT a good Tintin book... it's worse than "Tintin in America"--but people like Little Miss Mondondo make me feel obligated to support Tintin's English-language publishers Little, Brown. I just pre-ordered the upcoming paperback edition of "Tintin in the Congo" from Amazon.com. (I'm not going to pay for a hardcover of a book that if it's as weak as memory tells me would get a 3 or 4 rating in a review here, but Mondondo and likeminded reprobates are obligating me to buy a copy of the book in one format or another.)

I encourage the rest of you reading this to the same by clicking here, or by heading down to your local bookstore and pre-ordering a copy of the paperback due for release in the United States Sept. 1. (Or, if you're elsewhere in the world, to buy a copy whereever you would.) I'd love to see this effort blow up in the faces of these jackasses and to see "Tintin in the Congo" to start selling like mad.

(And when I get my copy in early September, I'll do an actual review. Heck. I might as well do my own 100th anniversary celebration and do reviews of all the Tintin books.)

From AFP wire service... the tale of a "man" who blames a comic book for the sand in his vagina.


Tintin in trouble: Congolese man seek court ban on 'racist' graphic novel

A Congolese student has launched a court case denouncing the cartoon book "Tintin in the Congo" as racist, calling for its withdrawal from sale, the Brussels prosecutor's office said Tuesday.

It is not the first time that the book, featuring late Belgian author and illustrator Herge's popular red-headed boy journalist Tintin and his faithful dog Snowy, has raised hackles over its content.

The bookselling chain Borders announced last month that it was pulling copies of the 1930s book from the children's shelves in its US and British stores after Britain's Commission for Racial Equality described the book as containing "imagery and words of hideous racial prejudice."

In the latest case, Bienvenu Mbutu Mondondo, a political science student in Brussels, brought a complaint against publishers Moulinsart and persons unknown late last month, accusing them of breaching Belgium's racism laws, said Jos Colpin, spokesman for the public prosecutors.

"Tintin in the Congo", which first appeared in Belgian newspaper Le Vingtieme Siecle as a comic strip in 1930-1931, is part of the popular series "The Adventures of Tintin" by the Herge.

But its tale of boy reporter Tintin's trip with Snowy to what was then the Belgian Congo is seen as controversial because of its depiction of colonialism and racism, as well as casual violence towards animals.

On the official Tintin website the controversy is acknowledged.

"In his portrayal of the Belgian Congo, the young Herge reflects the colonial attitudes of the time," a website statement reads, under the headline "Shocking".

"He depicted the African people according to the bourgeois, paternalistic stereotypes of the period - an interpretation that some of todays readers may find offensive."

Herge, real name Georges Remi 1907-1983, justified the book by saying it was merely a reflection of the naive views of the time. Some of the scenes were revised for later editions.

Britain's Campaign for Racial Equality described the book as containing "imagery and words of hideous racial prejudice, where the 'savage natives' look like monkeys and talk like imbeciles,".

However sales of the comic book rocketed in Britain after the complaint.

Tuesday, July 17, 2007

Tintin: For Adults Only!

Tintin in the Congo" is now being considered a book too racist for the kid's section at Borders.

And I don't think this is such a bad thing.

I'm a huge Tintin fan, and I usually roll my eyes at the hyper-sensitive people who are looking to take offense at the drop of a hat, but even as a kid, I could see "Tintin in the Congo" was more racist than entertaining.

I actually don't think it's a book that should be read by anyone. It's simply not very good. "Tintin in America" and earlier volumes in the series simply aren't that good... at the very least, they're horribly dated.

NEW YORK (AP) - "Tintin in the Congo," an illustrated work removed from the children's section of Borders Group Inc. stores in Britain because of allegations of racism, will receive similar treatment by the superstore chain in the United States.

"Borders is committed to carrying a wide range of materials and supporting our customers' right to choose what to read and what to buy. That said, we also are also committed to acting responsibly as a retailer and with sensitivity to all of the communities we serve," according to a Borders statement issued Monday.

"Therefore, with respect to the specific title 'Tintin in the Congo,' which could be considered offensive by some of our customers, we have decided to place this title in a section of our store intended primarily for adults - the graphic novels section. We believe adults have the capacity to evaluate this work within historical context and make their own decision whether to read it or not.

"Other 'Tintin' titles will remain in the children's section."

David Enright, a London-based human-rights lawyer, recently was shopping at Borders with his family when he came upon the book, first published in 1931, and opened it to find what he characterized as racist abuse.

"The material suggests to (children) that Africans are subhuman, that they are imbeciles, that they're half savage," Enright told The Associated Press in a recent interview.

In Britain, the book also will be stocked with graphic novels.

Ann Binkley, a spokeswoman for Ann Arbor, Mich.-based Borders in the U.S., said no complaints have been received in this country. Little, Brown Books for Young Readers is publishing the book in the U.S. in September, one of many "Tintin" works being reissued to mark the centennial of author-cartoonist Herge, the pen name of Georges Remi.

"This particular title, one of three originally unpublished in the U.S., may be considered somewhat controversial, as it reflects the colonial attitudes of the time it was created," reads a statement on Little Brown's website.

"Herge depicts African peoples according to the stereotypes of the time period, but in this edition it will be contextualized for the reader in an explanatory preface."

The book is the second in a series of 23 tracing the adventures of Tintin, an intrepid reporter, and his dog, Snowy. The series has sold 220 million copies worldwide and been translated in 77 languages.

But "Tintin in the Congo" has been widely criticized as racist by fans and critics alike.

In it, Remi depicts the white hero's adventures in the Congo against the backdrop of an idiotic, chimpanzee-like native population that eventually comes to worship Tintin - and his dog - as gods.

Remi later said he was embarrassed by the book, and some editions have had the more objectionable content removed. When an unexpurgated edition was brought out in Britain in 2005, it came wrapped with a warning and was written with a foreword explaining the work's colonial context.

Africa was hardly the only part of the world portrayed in stereotypes by Remi. "Tintin in the Land of the Soviets" was a rough take on Communist society, while "Tintin in America" was equally critical of capitalism in the U.S.

Remi, a native of Belgium, died in 1983. Steven Spielberg and Peter Jackson each plan to direct at least one film in a series of three movies based on the "Tintin" adventures.