Views & Reviews From Writer Steve Miller
Formerly Reviews and Stuff at Rotten Tomatoes, 2005 - 2009.

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Showing posts with label Twentieth Century Fox. Show all posts
Showing posts with label Twentieth Century Fox. Show all posts

Tuesday, September 28, 2010

'Thank You for Smoking' is an hilarious satire

Thank You for Smoking (2005)
Starring: Aaron Eckhart, J.K. Simmons, William H. Macy, Cameron Bright, Maria Bello, David Koechner, Sam Elliot, Rob Lowe, Robert Duvall, and Katie Holmes
Director: Jason Reitman
Rating: Eight of Ten Stars

Follow the adventures of Nick Naylor (Eckhart), chief lobbyist for the tobacco industry, as he advocates for the rights of smokers and tobacco companies while serving as a good role model for his son and hanging out with his best friends Polly (Bello) and Bobby (Koechner), lobbyists for the alcohol industry and gun manufacturers respectively. (Together, they make up the MOD [Merchants of Death] Squad.)


"Thank You for Smoking" is a hilarious satire that skewers American business, politics, pop culture, family life... it touches on just about every aspect of life for the American middle- and upper-middle class.

Aaron Eckhart is the single true star of this film, and he is perfect as the lovable rogue Nick Naylor--the Sultan of Spin who could argue that black is white and make it seem sensible. He is supported by a crisp, well-written script, a tightly edited and well-paced film, and a supported by a group of actors who are perfectly cast in their roles. William H. Macy as the obnoxious crusading US Senator is particularly good, but Rob Lowe as a slimey Hollywood producer, Katie Holmes as a sexpot reporter, and Maria Bello and David Koechner as Nick's best friends--his only friends when he hits a rough spot--also turn in excellent and funny performances.

"Thank for Smoking" is a movie that most thinking adults will watch with a constant smile on their face. The exception would be particularly demented anti-smoking Nazis who will almost certainly be upset by the lack of preaching, annoyed that all the characters are likable, and frustrated by the happy ending for Nick and his pals.









Friday, July 9, 2010

'Predators' completes its mission nicely

Predators (2010)
Starring: Adrian Brody, Alice Braga, Oleg Taktarov, Topher Grace, Mahershalalhashbaz Ali, Danny Trejo, Walton Goggins, and Lawrence Fishburne
Director: Nimrod Antal
Rating: Nine of Ten Stars

A disparate group of soldiers, mercenaries, and murderers--human predators all--are parachuted into a jungle where they must battle against alien big-game hunters for survival.


"Predators" is a movie that set out to return this venerable sci-fi action franchise to basics--after a decade of comic book and movie cross-overs with Fox's other killer alien property, the xenomorphic, acid-dripping Aliens. And it does a fantastic job of doing just that.

From the opening scene of Adrian Brody's character returning to consciousness while free-falling through sky, to the moment when the closing credits start to roll, this is a movie that never slows down. It's armed human killing machines versus aliens every bit as skilled in the art of killing as they are, but who have the advantage of superior tech and knowledge of the terrain. Unlike the original film and most of the three movie sequels and I-have-no-idea how many Dark Horse comic books (where the Predator aliens even fought Batman at one point), the hunt here takes place on the home-ground of the aliens, so the humans need every bit of skill they can muster.

As would be expected, there isn't much in the way of character development in the film. Our heroes start as military/action movie stereotypes and most of them die that way. The two main characters--played by Brody and Braga, a coldhearted mercenary and a IDF sniper/CIA operative respectively--are given a little more development than most others, but even they remain archetypal figures more than characters. A valid argument could be made that Braga's "character development" is nothing more than sexism, as it is her feminine sensitivity that puts her in grave danger at one point. (An equally good case could be made that she doesn't want to repeat what she considered a horrible moral error a second time. But whichever motivation you want to assign, both fail to move her much beyond the state of the most basic of character.

It doesn't matter in this movie, though. It's a movie about monsters attacking, guns blazing, and aliens getting their asses kicked (as well as aliens dishing out gory deaths when they get the better of their prey). And the film excels at this.

The screenwriters successfully brought the Predators back to their roots while giving the now-familiar set-up a fresh and unique twist. They also treat the audience to some very well-done action movie dialogue and battle scenes--which are brought to life with the aid of great camera work and editing, as well as excellent computer-generated monsters. The few bits of comic relief--mostly revolving around Topher Grace's character, who seems to be the only abductee who isn't a "human predator" but who's secret isn't as big a surprise as I suspect the filmmakers thought it would be--are well-timed and expertly delivered by the actors. They even managed to provide texture to the alien civilization, ensuring that hardcore fans of the series--who have been following all the spin-offs--will have a little something to enjoy, and newcomers might feel interested in checking out some of the comics and other movies.

Of course, the one thing lacking here is the horror element that was present in the first film, but the filmmakers wisely chose not to attempt to play on that angle. Back in 1987, the insertion of an alien big-game hunter into what looked like a straight-up action film was startling and viewers had no way of knowing how things would turn out. That one-time unknown creature is now firmly ingrained in pop culture, and the only mystery left for this picture is, basically, how are any survivors going to get back to Earth? (And this is another aspect the film deals with nicely.)

I think I can safely say that this film will go down as one of the best sci-fi and action films of 2010, with its non-stop action, great cast, and great effects. If you've enjoyed any of the previous films featuring the Predator aliens, or even any of the comics, you want to see this movie. It's also a worthy release for Fox to mark their 75th anniversary as a film studio with. It may not quite live up to the original film, but it's a fine piece of sci-fi entertainment.

(Click here to read my review of the original "Predator" at Terror Titans.)

Sunday, July 4, 2010

4th of July fireworks on a planetary scale

Independence Day (1996)
Starring: Will Smith, Jeff Goldblum, and Bill Pullman
Director: Roland Emmerich
Rating: Eight of Ten Stars

Monstrous space aliens intent on wiping out the human race launch a different sort of fireworks show for the Fourth of July, leveling Washington D.C. and the rest of the world's great cities. Earth's only hope becomes the surviving wings of the American Air Force, led by former ace pilot President Thomas J. Whitmore (Pullman) and current ace Captain Steve Hiller (Smith). Can they keep a secret desert military base protected long enough for scientists to discover a weakness in the superior technology of the aliens?


Not since the 1950s has anyone made such a grand "aliens destroy the Earth" movie, and I don't think anyone has ever presented quite such an epically heroic vision of the entirity of the American people as we see here. And nowhere but "Stargate: SG-1" will you find bubble-gum sci-fi that consistently shows the U.S. military as the good guys they are.

The formula here is part disaster movie, part action movie, and part sci-fi film. Nothing's terribly original, and the feel really is alot like a 1950s sci-fi film. However, with a special effects extravaganza that I still feel stands unmatched (the fighter-jets vs. aliens and mothership is still more impressive to me than the opening scenes of "Revenge of the Sith", the only bit of film that can compare) and a kind of storyline it would be nice to see in modern movies more often, this is an exciting sci-fi fantasy that provides non-stop entertainment and lifts the spirits.

The writing gets a bit lazy at the climax (well, very lazy actually) and this costs the film a Star on its rating. I still can't feel too outraged at this, because everything up to that point it so much fun. (I won't go into details what this bit of laziness is, because I don't want to spoil the ending... but part of me likes the worst of this misguided ending as I hate it; the dedicated Mac User in me chuckles every time I see it.)